Mural portrait of George Floyd by Eme Street Art in Mauerpark (Berlin, Germany) Creative Commons CC0 1.0 Universal Public Domain Dedication
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Why The Black Lives Matter Movement needs star amplification and solidarity

Taking the knee: Why it matters in post George Floyd killing for public personalities such as Denzel Washington, Lewis Hamilton, Jamie Foxx and other accomplished black celebrities, influencers and commentators to speak out against white supremacy and racial injustice.

A glittering film career spanning several decades has seen Denzel Washington mature from yesteryear productions such as NBC’s medical drama; St Elsewhere which ran from 1982-1988, when he cut his teeth on the screen with a mesmerising performance as Dr Phillip Chandler. More stellar performances were to come. Who can forget that emotional whipping scene as a bare chested young Denzel announced his advent on the film scene to contemporary films such as Glory in (1989), in which he played, a belligerent, defiant, self-absorbed ex-slave. Throughout his illustrious career, one thing remains conspicuous, Denzel is a grand master at his craft, acting, delivering his multifaceted roles with a nonpareil passion. Here is a man, a living legend whom today I seek to celebrate his success and achievements through delving into three of his films; Cry Freedom (1987), Malcolm X (1992), and American Gangster (2007). In equal measure, this piece will seek to consider other high profile black actors and athletes, among them, Formula One motor racing maestro; Lewis Hamilton; film star cum musician, Jamie Foxx who “killed off” Ray Charles’ performance in the biopic, Ray (2004), with his sublime performance. Aside from acknowledging these black icons’ contribution to the arts sector, it is integral to consider the role of the artist in aiding The Black Lives Matter Movement, (BLMM) cause. To remain neutral, see no evil, hear no evil, should not be a dilemma for the artiste. There is a clear choice to be made, in the interests of serving posterity as the article argues.

Race relations have increasingly gained traction post George Floyd’s killing and the resurgence of The Black Lives Matter Movement. George Floyd, a black man, was murdered in the US, after a Minneapolis police officer knelt on his neck for almost nine minutes. The Black Lives Matter Movement,  seeks to highlight systemic and continuing injustices faced by black people in the US and other countries, the world over. Founded in response to the acquittal of the man, George Zimmerman who killed teenager Trayvon Martin in 2013, the movement has and continues to increase its profile. Amongst its remit, BLMM seek to “eradicate white supremacy and build local power to intervene in violence inflicted on Black communities by the state and vigilantes.” Against, the current BLMM backdrop; it’s pertinent to revisit Denzel’s performance of the charismatic Muslim preacher and human rights activist whom he plays in the film, Malcolm X (1992).

Much of Denzel’s critical acclaim stems from his acting prowess in films, particularly his many ability to play real life, characters such as South African anti-Apartheid political activist Steven Biko in Cry Freedom film (1987), the radical Muslim preacher and human rights advocate, Malcolm X in the (1992) eponymous film, drug lord Frank Lucas in American Gangster (2007), another gem of a film, in which Denzel showcases his acting astuteness and acumen. In real life, Frank Lucas was Bumpy Johnson’s chauffeur. For the uninitiated, Johnson was a leading Harlem black gangster who did some time at Alcatraz State penitentiary. Johnson has become a cult figure in popular culture, currently riding high with Forrest Whitaker’s ‘blistering’ role as Bumpy in Epix’s Godfather of Harlem (2019) crime drama television series.

 

Denzel Washington after a performance of the Broadway play Julius Caesar in New York City. Photo: Paul Rudman/Wiki. Creative Commons CC BY-SA 3.0

Whilst I accept the difficulty of prescribing how an artist, celebrity or actor should respond to germane global issues; I argue, these are people with the voice and traction to change the course of history, so their voices and actions matter. Thus, it was disappointing for Daniel Kaluuya the Get Out (2017) and Black Panther (2018) star to refuse to make a well-defined public stance against racism, hiding behind the façade of meaningless words, “I am not the spokesperson of black people”. How pathetic a response can one utter.  Such a damp squib. Racism is real and rearing its ugly head in our communities and has to be confronted head on. I couldn’t help but reflect how, Kaluuya’s feeble response is a huge let down to young black children who navigate and encounter racism in their mundane lives; and a supposed icon they look up to doesn’t have the guts to lash out at this evil monstrosity. As South African retired cleric and anti-apartheid activist Archbishop Emeritus Desmond Tutu once said, “If you are neutral in situations of injustice, you have chosen the side of the oppressor. If an elephant has its foot on the tail of a mouse and you say that you are neutral, the mouse will not appreciate your neutrality”.

I applaud Formula One Mercedes British driver, Lewis Hamilton, and how he’s really taken to the podium, speaking out vociferously against racial injustice, advocating greater diversity, inclusivity and in support of the BLMM, “get off our neck” campaign. I commend that, and we need more star appeal voices for such loud, clear and unequivocal endorsement, if we are to effectively stem this racism monster menace. Other black icons in showbiz have followed suit, among them, Jamie Foxx, Leona Lewis, and Alexandra Burke, among others. It takes guts and mettle for these established stars to speak out in a predominantly white establishment industry where the risk of subtle reprisal is always lurking in the corridors of power and the hegemony.

Taking the knee gesture has become embroiled in needless controversy, with controversial British Prime Minister Boris Johnson and his foreign secretary Dominic Raab saying, they would never take the knee gesture. The latter postulated the only person he would kneel to was his wife and her majesty, the Queen of England. But there shouldn’t be any need for acrimonious vibes and angst in relation to taking the knee gesture, as it symbolises respect and solidarity with multitudes of the black community who have bore the brunt of racism, slavery, the Windrush British political scandal of (2018), a scandal of gargantuan proportions instigating racial prejudice and discrimination against non-whites. The latter saw black people resident in England since the end of the second world war being denied legal and medical rights, illegally detained, forcibly and illegally deported to Caribbean countries due to shambolic Home Office policies that they had been living in the UK, “illegally,” and also caused in part by the Tory party’s “hostile environment policy.” It is heartening that this madness and injustice has since been halted, albeit, it’s caused extreme anguish and pain to the black community in England. 

A protester holds a sign saying “I Can’t Breathe Mama,” at a Black Lives Matter Rally in Dumfries, Virginia. “I Can’t Breathe Mama,” was one of the last words said by George Floyd before he was killed. Photo:Wiki/CC BY-SA 4.0

The knee gesture protest was popularised by San Francisco 49ers quarterback Colin Kaepernick in 2016. Premier League footballers in England have been taking the knee gesture signal at the start of their matches, following the resumption of the League after the Covid-19 lockdown. At the recent season opening, Austrian Grand Prix, Formula One star, Hamilton and 13 other drivers took the knee gesture on the starting grid, with six drivers refusing to take the symbolic gesture, citing lame excuses on why they couldn’t do so. Such dissonance amongst high profile F1 stars beggars’ belief. Perhaps, it’s no wonder Hamilton has openly acknowledged, “silence from some circles is concerning,” which silence and lack of support from other key voices (far and beyond) constitutes the centrepiece argument advanced in this narrative.

What the BLMM movement represents are noble and forward-thinking ideologies of racial harmony, integration and tolerance, decent human values to the core. It has been disturbing to see those from the other side of the divide, the far-right players like Nigel Farage and the right-wing media in England try to foment this debate into an us versus them binary dichotomy, deliberately misrepresenting and distorting the BLMM remit and well-meaning demonstrations. This is counterproductive, it doesn’t work and will never work, and there is no place for this divisiveness in our global society, today, tomorrow ad infinitum. One lame way critics have tried doing this is by bandying around a counter slogan to BLMM by charging “white lives matter”, as if black people ever said by insinuation white lives don’t matter. For the avoidance of doubt; white lives do matter, no one is saying they don’t matter.  Sky News Television sports presenter; Mike Wedderburn does a brilliant job in explaining why the white lives matter counter refrain to the BLMM is offensive, when taken within context. As Mike aptly explains; taken within context; white lives matter is indeed offensive as it flies in the face of what BLMM is striving to achieve for the black community, especially as historically, black people have had an unfair advantage in spheres of life due to the endemic prevalence of systemic racism and white privilege. Thus, the aforementioned anti-slogan undermines the BLM cause.

An activist holds a “Black Lives Matter” sign. (Photo: Tony Webster via https://www.flickr.com/photos/diversey/)

Denzel joins an array of black actors who have excelled in their field, performers such as, Morgan Freeman, Will Smith, Martin Lawrence, Jamie Foxx among others, comes to the fore. Even though this piece is about lauding black icons cultural ambassadors, nonetheless it would be amiss not to acknowledge the role these aforementioned icons should continue to play in raising and nurturing the profile of race relations in our contemporary world. They are luminaries in an industry often hogged by charges of ingrained, institutionalised racism, which have denied them due recognition by way of Oscars; hence the  #oscarsowhite campaign, which has sought to highlight the skewed landscape when it comes to black actors winning Academy Awards in Hollywood. In the United Kingdom, the Baftas have also been lampooned by critics over similar charges. Therefore, our esteemed cultural icons have also experienced this racism first hand, they understand the streets we’ve walked. They have a legitimate duty to highlight the injustices of white supremacy and racism, and fully endorse the BLMM cause, as some of them have been doing.

For so long, the Academy Awards Adjudication Board has been preoccupied with overlooking talented black actors because “they didn’t fit the bill.” Critics point out, the real reason why great actors of Washington and Freeman’s ilk have not won so many awards, is not so much the dearth of their savoir faire, but an extension and perpetuation of “the knee on our neck.” Perhaps, this diversity debate in film and television awards explains why some black actors and film producers have mooted the formation of rival acknowledgment bodies to compete with established Oscars and Bafta awards. However things pan out, the diversity debate discourse resonates well with BLMM fight for racial injustice and greater diversity. 

We all need to play our collective part in speaking out against the ills of racism, bigotry, sectarianism and white supremacy permeating our inner (societal) psyche.  Sitting on the fence or quiet acquiescence is simply not acceptable and not good enough. As renowned civil rights activist Reverend Al Sharpton succinctly puts it; “get your knee off our neck,” should be a rallying cry, society ought to adopt in fighting these unfettered ills. The George Floyd killing may well be the Black Lives Matter Movement magna carta.

Author’s Bio:

Andrew Chatora teaches English, Media and Sociology at The Bicester School in Oxfordshire, England, where he manages The Media Department. He writes here in his personal capacity.

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