One of the things our cultures have in common is their reverence for elders. But is merely being around for a long time enough? Shouldn’t respect be earned? Not all elders are wise. Should we also defer to an elder known to be ignorant, misogynistic and cruel?
“Oya: Rise of the Orisha” is an upcoming feature film that blends the Western superhero genre with Yoruba mythology. The film garnered internet attention following their Indiegogo crowd-funding campaign.
African photography is on the rise. From street to art photography, conceptual and documentary to fashion shoots, home-grown photographers are increasingly showing the world what they see through the lens (and not only in Africa’s Francophone countries).
Skin-lightening/bleaching is a problem, but it’s only a sign of much deeper inter-related issues: self-hatred, a race-based identity crisis, and the internalisation of Western-created cultural ideas that are inimical to the mental health of black people.
Modern contemporary art from Africa has not gained significant popularity in the West until now. Now there’s a quiet explosion. There’s a growing inclination within Africa amongst the wealthy to collect art made by artists from within their culture, and there’s an increasing realisation in Europe and America that African modern art can offer quality and diversity
A TIA must-read
Away from the eyes of the world, the sub-culture of heavy metal has been healthily bubbling under in South Africa, the result of a generation of musicians and fans growing comfortably with the country’s post-apartheid identity. South Africans have been enjoying rock and metal music for years, yet with a tincture of coverage outside the continent
We hang our hopes on economic development playing a large role in allowing us to reclaim our history from the West, but which comes first, understanding of our own history or economic development? Is real economic development even feasible without a grasp of history?
Whenever western publications have written about Kwaito and South African House, the story has almost always been told in terms of a unidirectional migration of House music from the United States to Africa