Khadambi Asalache, poet and pioneer of modern English Kenyan literature, lived an extraordinary life. Now, more than a decade after his death, the public can view his stunning estate, which he left to the National British Trust. The estate is exceptional because for more than 20 years he decorated it extensively with Moorish-influenced fretwork which he cut by hand from discarded pine doors and wooden boxes.
Stories about the 1994 genocide in Rwanda have been evolving as descent narratives telling about journeys through hell.
Law student and human rights activist Mary C. Namagambe is the founder of She for She. This hybrid company is working to tackle the lack of access to appropriate health care information and products, as well as the rate at which young girls in Africa are dropping out of schooling due to period poverty.
A report by Elephants Without Borders show that the poaching of elephants in Botswana has increased sharply in recent times. This follows certain changes in policy by President Mokgweetsi Masisi’s administration.
About 20 000 children born to Belgian settlers and African women in the 1940s and 1950s were forcibly taken to Belgium until the independence of each of its three colonies. Belgian Prime Minister Charles Michel has apologised for these kidnappings and the subsequent treatment of these children
Thando Hopa, a South African model, lawyer and activist, is on the April cover of “Vogue Portugal” for their “Africa Motherland” edition. The magazine stated that the issue is an ode “to origins” and to “Africa, as the birthplace of mankind”.
The ability of multilingual children to learn and advance academically from pre-primary has little to do with their English proficiency.
A recent photograph posted under a series named “Extreme Reading Challenge” by one of Zimbabwe’s top private schools has had widespread reaction. The question that arises, says Mako Muzenda is: “Has the private schooling system done anything to dismantle its colonial legacy?”
East Africa has become a fixture on the calendar of festival tourists from across the globe. While this is to be welcomed, it also offers challenges and opportunities to African curators of such events.